Lo-Fidelity

Entries tagged as ‘Brian Eno’

Remembering Roxy Music

August 30, 2008 · Leave a Comment

Many years ago, when I was in college, a friend introduced me to a band called Roxy Music. I had heard the name, but I had never heard their music. It sounded strange and arty, but I liked it. Still, that was the eighties, and Roxy Music was a seventies band so it seemed old to me. I never bought one of their albums and eventually forgot about them.

Now I have rediscovered Roxy Music, and even though 37 years have passed since the release of the first eponymously-titled album, it all sounds very fresh and modern. How can this be? Am I out of touch with the times?

Brian Eno played on their first two albums so I guess that is why I got back into Roxy Music. I’ve always liked Eno, but Bryan Ferry seemed a little pretentious for my taste. But now I am really impressed by the things he does with his voice and the songwriting. Take “If There Is Something” from their first album. This song starts out with a country twang but half-way through it seamlessly changes into a dark, moody piece in which Ferry, sounding genuinely distraught, begs his love to come back to him. And then it changes again, slowing down, becoming more thoughtful and introspective.

Their second album, “For Your Pleasure”, is probably their best and arguably deserves a spot on my top ten list. Perhaps I could kick out Joy Division who, even though they came along a bit after Roxy Music and sounded fresh at the time, now seem a bit dated. (I’m more likely to listen to Interpol than Joy Division these days). This album features “Do the Strand” which was played on the closing episode of “The L Word’s” most recent season, the only bit of taste that show has ever displayed. (Sorry, but I know bad writing when I see it.) It also has great songs like “Strictly Confidential”, “Editions of You”, “In Every Dreamhome a Heartache”, and my personal favorite “Grey Lagoons”.

But even though I think their second album is strongest overall, the best Roxy Music song ever appears on their third album, Stranded. ‘Mother of Pearl’ is the song I most remember from my college listening experiences. Like the aforementioned ‘If There is Something’, this is a song that starts out one way and then changes into something completely different. It is almost seven minutes long and the first minute and a half are a bit wild, evoking a party atmosphere. A minute and half into the composition, a piano line appears and comes to the forefront. Then Ferry sings “Well, I’ve been up all night, party time wasting is too much fun, then I step back thinking of life’s inner meaning and my latest fling”. The music fits the lyrics perfectly. When I listen to this bit, I, too, get the feeling that I’ve been up all night and now the sun is rising and I wonder what the hell I am doing with my life. What does it all mean? The song gets into a groove and goes on and on with some nonsense lyrics that I won’t bother examining too closely, but they are great to sing along with. But what I have always wondered is what is this “Mother of Pearl” that he wouldn’t trade for another girl. And, of course, the only thing that comes to mind is his guitar. I guess Ferry is trying to tell us that music will always be there for us, even after the party is over. And I guess that’s true because this stuff is still great, even after all this time.

Categories: music
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From Electrelane to Can

June 16, 2008 · Leave a Comment

My partner gave me a Zune for Christmas. I’d asked for an MP3 player because my job is really dull and this would help get me through it. I’d only wanted a 4 gigabyte device, but I ended up with 30. It took me over a week to get all my CDs loaded onto the computer and still I had over 20 gb left. So I decided to get myself a Zune pass and listen to all the music I’d always wanted to hear but couldn’t afford and wasn’t played on the radio.

So I downloaded a bunch of Lou Reed and Sigur Ros, Television and the Residents, Wire, John Cale, Alien Ant Farm (they sucked), more Brian Eno and Patti Smith’s latest. I also discovered a great band called Ladyhawk that Carrie Brownstein mentioned in Monitor Mix. It’s great having access to all this music, and as long as I pay the monthy fee, I can keep it.

I really don’t buy many CDs these days but last summer I went to my local gay-owned CD store and one of the co-owners, Curtis, mentioned the name Electrelane to me. I’d never heard of them before. But I managed to get a few downloads off the internet, enough to know I liked them, and I went back just before Christmas and bought myself their Axes CD. Perhaps it’s not one of their best, but I do love the third track. Overall, I find the album to be a bit uneven. The jazz influence is a little too strong for my taste, although I do admire the piano player.

But now that I have the Zune pass, I can go in and check out their influences. So I started listening to a bunch of Stereolab. This is band that I’d heard of, but never heard. During the 90’s I was too busy raising children and dealing with a failing marriage to pay much attention to new music. I feel lucky that I was able to find Sleater-Kinney during those days.

But further research revealed a band called Can from the late-60s and 70s. Now where did this come from? I have never heard of Can and neither has my partner. But I already love one of their earliest albums, Soundtracks. I’ve also listened to Tago Mago a few times, and the first half is great but some of the latter pieces are a bit trying. O Peking reminds of the Resident’s song about Westinghouse which really is not very pleasant to listen to. I need to listen to more of their stuff, and it is so exciting to discover this band from so long ago. How could they have been so thoroughly buried? Why are most people content to listen to pop crap? I doubt that these questions can ever be satisfactorily answered.

Categories: music
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